Printmaking thrills me. It’s democratic, radical, and deeply human. It’s a tool for real empowerment across every divide. We take an idea, force it through the stubborn matrix of a plate, and out comes cultural currency. We print on anything. We make messages that land in someone else’s reality—and if we do it right, those messages can shift the world.
I print as much as I can. I built my basement studio from scraps—dumpster dives, donations, whatever I could scavenge. Every press, every table, every tray was earned through grit and sheer will.
And I teach. Because printmaking is more than a method—it’s a mindset. It teaches problem-solving, resilience, and visual fluency. It connects people to a shared graphic heritage we all have a right to claim.
The Name in My Mouth
3-color reduction print
Edition of 10
Edition of 10
Central Print Artist Residency
Monotypes
Monstress Activites
Monstress Activites
Springing from the fields of package design and conceptual art, Monstress Activities addresses modern worries and hopes in a humorous, thought provoking way. This box set of 5 different “products” combine into one distinctly joyful and fun proposal for a different perspective on life.Fun fact: “Calender” is a papermaking term that I and my editor completely missed, seeing as we were in a papermaking studio. It was the only glaring error in the project, at least as far as I see. Ahh, the fallibility of youth!